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This assignment ran from Jul 25 to Aug 14, 2017.

You may not be able to articulate what makes an epic photo, but you can feel it. You know it when you see an epic scene. Something epic takes your breath away. Epic is larger than life. Epic requires you take an extra minute to absorb everything. For this assignment, your goal is to share photos where the community's reaction should be, "Wow that's epic."

Epic means insane-on-the-membrane massive! Some of my cave shots that are the most epic are the huge chambers and shafts with tiny, tiny people for scale. When I first enter a giant underground space, the echo is the first thing that I feel. It sends a shiver down my spine. I remember in 2005 when I was part of a team that discovered a huge underground chamber in Whiterock in Sarawak, Malaysia. We were super excited. Our first thoughts were to shout out loud to hear the echo. It took six seconds for the echo from our initial shout to fade, hit the far wall, then bounce back to us. Even though we couldn’t see anything, we knew immediately from the echo that this was a huge room. It was epic!

You are going to need to think big—vast, even. This assignment is a great chance to play around with scale. Big spaces, little people. Both in landscapes and the natural world, and also manmade structures like stadiums and aircraft hangars. Inside or outside, the choice is yours.

However, don't forget that there are epic moments. There are epic experiences. Think about how you use the word “epic” and what it is describes for you. Now think about how you are going to illustrate that visually. Try to incorporate a sense of mystery and intensity from within your surrounding space. Remember not to restrict your creativity in any shape or form. Better photographs will be born out of an unlimited and free visual spirit. So let your imagination run with this. Good luck, I’ll be watching on from the sidelines.

Submission deadline is August 14, 2017 at 12PM EST. You will have three submissions.

Robbie Shone
National Geographic photographer

Curated by:

Robbie Shone
National Geographic photographer
Assignment Status
  • Open

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  • Closed

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  • Published

    Once the submission period is over, we'll review all contributions and select our favorite images to be included in the story. Learn more.
Published Aug 28, 2017.
Thank you for your contributions!

Be Published on the Cover of Nat Geo Traveler magazine

Posted feb 14, 2018

FYI — there is a new Your Shot assignment right now called “The Trip That Changed My Life,” which is your chance to be featured on the cover of National Geographic Traveler’s upcoming “Epic Summer” issue (June/July 2018). Click here to submit your photos.

Check out our blog post featuring Your Shot photographer Victor Lima, who was previous winner of this opportunity. Victor bought his very first camera in November 2014; five months later he made the photo that was published on the cover of National Geographic Traveler magazine. This could be you. I hope you will all submit — I know I wish I could. Good luck Your Shot photographers. I cannot wait to see whose photos will be featured.

David Y. Lee
Producer, National Geographic Your Shot

New Robbie Shone Assignment

Posted dec 12, 2017

Hi everyone —

Thanks to everyone for submitting to our “Epic” assignment, curated by Nat Geo photographer Robbie Shone. I want to let you know that he is curating a new Your Shot assignment called “Wow! What an Adventure,” where he is inviting you “to share with us your own unique adventures. It doesn’t necessarily have to be an epic, swinging-on-a-rope-in-a-black-pit type of adventure. Maybe getting married or having children has been an adventure for you. Maybe you are the first person in your family to graduate from college. Maybe you have swum with dolphins or driven across the country on vacation. Or maybe you have seen the world from the top of Mount Everest.”

I hope you all participate and share your adventures with Robbie.

David Y. Lee
Producer, Nat Geo Your Shot

Nat Geo Adventure story featuring photos by Robbie Shone

Posted nov 10, 2017

Hi everyone —

Nat Geo Adventure recently published a new story “Go Inside These World-Famous, Rarely Seen River Caves” featuring photos of strictly protected underground caves in Slovenia by National Geographic photographer Robbie Shone, your guest editor on the “Epic” assignment.

I also encourage you all to participate and submit to our current assignments, “Unsung Hero” curated by National Geographic photographer Matt Moyer and “Quest for Happiness” curated by National Geographic photographer Matthieu Paley.

“Unsung Hero” is inspired by the Nat Geo Channel series “The Long Road Home.” “Quest for Happiness” is inspired by the November 2017 National Geographic magazine cover story, “The Search for Happiness.”

Thanks everyone for being a part of the Your Shot family.
Keep up the great work.

David Y. Lee
Producer, Nat Geo Your Shot

Editor's Update 02

Posted sep 8, 2017

Thanks to everyone for submitting to Robbie Shone's "Epic" assignment. The final story was awesome. I was so inspired by the quality of your submissions, that I am now curating a companion assignment called "Quiet Moments." While you can submit photos from your archives, I highly encourage you to set aside some time to take new photos that are quiet. Notice how you move differently when you’re respecting the quiet moment you're documenting, trying not to disturb the world in front of your camera. Use this assignment to not only take pictures of quiet moments, but to also quiet your mind as you work. I encourage you to slow down, take a deep breath, and be in the moment as a photographer. I look forward to your "Quiet Moments."

Editor's Update #1

Posted aug 7, 2017

I think I’m drawn to photographing caves and underground spaces because they offer such a playground to experiment in. The darkness serves as a blank canvas, allowing my imagination to construct whatever it tells me to construct. I begin by laying out the lighting rig, using layers of lighting to paint my canvas of darkness. I always try to make the cave look as beautiful as it can, but I’m also trying to add another dimension to the picture—a dramatic and an epic dimension that makes the viewer go, “Wow!” Being underground means the right lighting is crucial, and it really can make or break the final feeling of the photograph. Often I find that the simpler the composition and the lighting is, the more dramatic the end photograph feels. Do you find this with your photographs? 

Since the Epic assignment started, I have been spoiled with so many striking photographs. You are all doing a great job. The images have been powerful and strong, and you’ve made my job relatively easy.

We still have some time remaining in the assignment, so please keep submitting your photographs. Try to think beyond the first thing we think of when we imagine an “epic” photograph. How else can you depict this feeling in your work? It doesn’t always have to be dramatic thunderclouds with lightning bolts crashing down, or powerful views of majestic landscapes. There are other ways to portray “epic”— keep thinking and submitting. Well done.

Robbie Shone
National Geographic photographer

Robbie Shone

Robbie Shone

National Geographic photographer
National Geographic photographer Robbie Shone is recognized as one of the most accomplished cave photographers in the world. He has hung on a thin rope while photographing 200m above the floor in the world’s deepest natural shaft and has explored the far ends of a 189 km long cave system. For his book “Gouffre Berger – L’esprit d’equips,” Robbie spent a continuous 94 hours underground photographing the first cave to hold the 1000m depth record.